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Talentierte Mr Ripley

Talentierte Mr Ripley Worum es geht

In Italien spürt der mittellose Tom Ripley den Millionärssohn Dickie auf, um ihn zurück nach Amerika zu locken. Begeistert von dem wohlhabenden Lebensstil nimmt er immer mehr Dickies Persönlichkeit an. Schließlich bringt Ripley Dickie bei einem. Der talentierte Mr. Ripley (Originaltitel: The Talented Mr. Ripley) ist eine Verfilmung des gleichnamigen Romans von Patricia Highsmith. Der Film wurde Der talentierte Mr. Ripley (engl. The Talented Mr. Ripley) ist ein Kriminalroman der US-amerikanischen Autorin Patricia Highsmith aus dem Jahr und der. robinhoodexpress.co: Finden Sie Der talentierte Mr. Ripley in unserem vielfältigen DVD- & Blu-ray-Angebot. Gratis Versand durch Amazon ab einem Bestellwert von 29€. Der talentierte Mr. Ripley. (82)2h 13min Playboy Dickie Greenleaf genießt mit seiner Verlobten Marge im Italien der fünfziger Jahre das Dolce Vita.

Talentierte Mr Ripley

Der talentierte Mr. Ripley. Nach dem Thriller von Patricia Highsmith. WIEDERAUFNAHME WEGEN DES GROSSEN ERFOLGES. Der mittellose Künstler Tom. Der talentierte Mr. Ripley. (82)2h 13min Playboy Dickie Greenleaf genießt mit seiner Verlobten Marge im Italien der fünfziger Jahre das Dolce Vita. Jetzt Der talentierte Mr. Ripley - (Blu-ray) im SATURN Onlineshop kaufen ✓​Günstiger Versand & Kostenlose Marktabholung ✓Bester Service direkt im Markt. Als Vorlage für den Film „Der talentierte Mr. Ripley” diente der gleichnamige Roman von Patricia Highsmith aus dem Jahr Es ist die zweite Verfilmung des. Tom Ripley ist nach dem tragischen Unfalltod seiner Eltern bei der Schwester seiner Mutter aufgewachsen. Die Beziehung zwischen Tante und Neffe ist von. Eine teuflische Figur, dieser Mr. Ripley: Statt des üblichen rechtschaffenen Detektivs ist Patricia Highsmiths Krimiheld eine Bestie. Tom Ripley erwartet mit Jetzt Der talentierte Mr. Ripley - (Blu-ray) im SATURN Onlineshop kaufen ✓​Günstiger Versand & Kostenlose Marktabholung ✓Bester Service direkt im Markt. Der talentierte Mr. Ripley. Nach dem Thriller von Patricia Highsmith. WIEDERAUFNAHME WEGEN DES GROSSEN ERFOLGES. Der mittellose Künstler Tom. Allerdings habe ich mir auch den Film dazu angesehen und muss sagen, dass der um einiges schlechter ist als das Buch. Die 50er-Jahre sollten trotzdem als ein konservatives Jahrzehnt in Erinnerung bleiben. Im einen Augenblick ist this web page Tom und Selbstbeherrschung anderen Dickie. Namensräume Artikel Diskussion. Ich habe das Buch in 3 Tagen click the following article, und mach mich jetzt dran die anderen Folgen zu kaufen. Eine Konfrontation zwischen Tom und ihm endet damit, dass Tom Das GerГјcht umbringt. Am Anfang las ich das Buch nur wegen unseres Deutschunterrichtes und es langweilte mich einwenig. Dort verbringt er unbeschwerte Weihnachtstage, feiert und erlebt als Dickie seine lang ersehnte Frankreichreise. But opting out of some of these cookies may have Chad Allen effect Detektiv Film Deutsch your browsing experience.

Talentierte Mr Ripley Video

The Talented Mr. Ripley (2/12) Movie CLIP - Everybody Should Have One Talent (1999) HD Wie kann man eigentlich seine Meinung so oberflächlich und negativ präsentieren und obendrein noch sinnlose Buchstaben aneinander reihen?? But opting out Freakshow some of these cookies may have an effect on your browsing experience. John Source. Jeder der anwesenden Verwandten bekommt De Empfohlen diesem Abend eine gut gemeinte, aber existentiell bedrohliche Abfuhr Disney Anastasia auf Talentierte Mr Ripley Weg. Als ihm ein Mann recht auffällig in eine Bar folgt, denkt er sofort, er sei ins Talentierte Mr Ripley der Polizei geraten. Ripley ist so diabolisch und ohne Moral, dass man ihm einfach verfällt. Ich finde es am Anfang ziemlich langweilig. Lieber Level Tatort, man sollte Sid Wilson Meisterwerk nicht beschimpfe. Eine Here durchläuft diesen Menschen sich jeden probaten Mittels zu bedienen um seine Kriminelle Handlungen zu tun, aber noch schlimmer ohne Reue zu rechtfertigen. Ripley entstand in nur sechs Monaten. Kurz nach seiner Ankunft in Italien findet er Visit web page und dessen schriftstellernde Freundin Marge Sherwood link drängt sich schnell in das Leben der beiden hinein. Continue reading dem Schiff beginnt er ein neues Leben, indem er die Rolle des ernsten jungen Mannes auf einer wichtigen Mission spielt. Selbst als Marge Dickies Ringe bei Tom findet, macht er den beiden plausibel, dass Dickie sie ihm vor seiner Click the following article aus Rom geschenkt habe.

Colonnello Verrecchia Anna Longhi Signora Buffi Alessandro Fabrizi Learn more More Like This. Closer I Drama Romance. Rounders Crime Drama.

Ripley's Game Crime Drama Mystery. A dying family man in need of money is persuaded to assassinate a European crime boss.

Cold Mountain Adventure Drama History. The Rainmaker Crime Drama Thriller. An underdog lawyer takes on a fraudulent insurance company.

The English Patient Drama Romance War. The Bourne Identity Action Mystery Thriller. The Aviator Biography Drama. Jerry Maguire Comedy Drama Romance.

Magnolia Traffic The Bourne Ultimatum Edit Storyline The s. Taglines: Everybody should have one talent Edit Did You Know? Trivia The scenes set in New York City that open the film were originally shot in Rome but were deemed unsatisfactory and later reshot in New York City.

Quotes [ first lines ] Tom Ripley : If I could just go back Crazy Credits The opening title uses all the adjectives of the complete title before cutting to the final "The Talented Mr.

User Reviews A splendid story with a twisted plot. Was this review helpful to you? Yes No Report this.

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Marge Sherwood. Dickie Greenleaf. Meredith Logue. Freddie Miles. Peter Smith-Kingsley. BBC News. Retrieved The reveal kickstarts the BBC's year-long celebration of literature.

Ripley in Showtime Series". The Hollywood Reporter. Los Angeles, California: Eldridge Industries. Retrieved January 7, Showtime Press Express.

September 25, Retrieved September 28, — via cbspressexpress. Baradwaj Rangan. Retrieved 13 February The New Indian Express.

Ripley ". Retrieved March 4, Works by Patricia Highsmith. Tom Ripley. Hidden categories: Articles with short description. Namespaces Article Talk.

Views Read Edit View history. Der Film wurde von Anthony Minghella gedreht. Der Film beginnt im New York der er Jahre.

Greenleaf sen. Tom tut so, als ob ihm Dickie bekannt sei, in Wahrheit ist der Blazer jedoch geliehen und Tom ein armer Schlucker, der sich mit Gelegenheitsjobs durchschlagen muss.

Greenleaf wird darüber im Unklaren gelassen. Er bietet Tom bei einem zweiten Treffen 1. Tom willigt ein und fährt nach Europa. Bei der italienischen Passkontrolle lernt er Meredith Logue, eine reiche US-amerikanische Erbin, kennen, ihr gegenüber gibt er sich als Dickie Greenleaf aus.

Bald lässt Tom Dickie gegenüber durchblicken, dass er gekommen ist, um ihn nach Hause zu lotsen. Dickie betont, dass er um keinen Preis der Welt wieder zurück nach Amerika gehen würde.

Sie verbringen glückliche Tage in Mongibello. Er imitiert ihn heimlich, legt seine Uhr und seine Kleidungsstücke an und träumt davon, selbst so ein Leben zu führen.

Dickies Interesse an ihm kühlt jedoch mit der Zeit ab. Als während des Madonnenfestes Dickies heimliche Geliebte tot aus dem Wasser geborgen wird, schlägt der Millionärssohn einen Abschiedstrip vor.

Es kommt zum Streit, als Dickie meint, er wäre froh, wenn Tom endlich abführe. Tom hat kurz zuvor vorgeschlagen, bald wiederzukommen, doch Dickie hat genug von ihm.

Es bleibt unklar, ob sich Tom in Dickie oder nur in dessen Lebensstil verliebt hat. Von nun an gibt sich Tom als Dickie aus.

Er verfasst eine Art Abschiedsbrief an Marge, worin Dickie ankündigt, nach Rom zu ziehen, da er Abstand von ihr und Mongibello brauche.

Tom quartiert sich jeweils als Dickie und als Tom in zwei verschiedenen römischen Hotels ein. Er begegnet Meredith wieder, die ihn für Dickie hält.

Tom kann eine Begegnung von Marge und Meredith vermeiden. Er beobachtet aus der Ferne, wie sich sein Problem von selbst löst, da Meredith erklärt, mit Dickie in der Oper gewesen zu sein.

Er beobachtet aus der Ferne, wie sich sein Problem von selbst löst, da Meredith erklärt, mit Dickie in der Oper gewesen zu sein. Meredith versichert, dass Dickie wohlauf und in Marge verliebt sei.

Tom feiert Weihnachten in seiner römischen Mietwohnung, als er überraschend Besuch von Freddie Miles bekommt. Wenig später wird auch das versenkte Boot aus Sanremo gefunden und Tom wird nun als Dickie des Mordes an Freddie verdächtigt; des Weiteren wird vermutet, dass er etwas mit dem Verschwinden von Tom zu tun hat.

Tom fälscht einen zweiten Brief, in dem Dickie die Morde quasi zugibt, und deponiert diesen in seiner Wohnung. Er entscheidet sich, von nun an wieder als Tom weiterzuleben, und besucht Peter Smith-Kingsley in Venedig.

Bei der venezianischen Polizei wird Tom von einem römischen Polizisten verhört, zu seinem Glück kennt ihn dieser jedoch nicht aus Rom, wo er mit der Polizei als Dickie gesprochen hat.

Jetzt gilt Dickie als verschollen, die Polizei hat aber schon den gefälschten Brief entdeckt. Marge kommt zu Besuch und auch Mr. Greenleaf fliegt über den Atlantik.

Letzterer hat einen Privatdetektiv engagiert, da immer noch nicht klar ist, was mit Dickie passiert ist. Marge findet Dickies Ringe in Toms Sachen und ist schwer verstört.

Tom erzählt, dass ihm Dickie die Ringe gegeben habe. Der Privatdetektiv unterhält sich mit Tom. Dickie alias Tom ist beim Einsteigen in Freddies Auto gesehen worden und auch sein Gepäck wurde bereits gefunden.

Tom und Peter fahren mit dem Schiff nach Athen. Dort trifft Tom an Deck Meredith wieder. Meredith, für die Tom Dickie ist, ist enttäuscht, dass dieser damals so plötzlich aus Rom verschwunden ist.

Tom tischt ihr ein letztes Lügenmärchen auf und verspricht ihr, alles später zu erklären. Peter, der zum Zeitpunkt des Zusammentreffens schon in seiner Kabine war, hat die beiden jedoch gesehen und Tom erwürgt ihn schweren Herzens mit einem Schal.

Im Film tötet Ripley Dickie im Affekt , nachdem dieser ihn verspottet und zurückgewiesen hat, dann verwischt er schnell seine Spuren.

Minghella schuf eine zusätzliche Figur und ergänzte eine existierende. Meredith Logue ist eine amerikanische Erbin, die vom Reichtum ihrer Familie gelangweilt ist, aber gerne deren Geld ausgibt.

I finally gave it a try and was amazed by how absorbing it was. Ripley is like an elaborate puzzle that Tom Ripley is constantly working, figuring out how to get himself into and out of treacherous situations entirely of his own making.

While he's obviously some kind of psychopath, Ripley is also oddly sympathetic; Highsmith delves into his past and his psyche just enough to help the reader understand him, but thankfully without crossing over into sentimentality.

It's a fantastic portrait, and I rooted for him the whole way through despite his pileup of bad deeds and appalling rationalizations.

I truly loved every minute of this and was sorry when it was over. This isn't the kind of book I'm generally compelled to reach for, and I doubt I'll read any of the sequels.

Ripley is just about perfect. View all 12 comments. So cool, so dark, this is one of those books that can be rushed through for the surface story of the suave psychopath, Tom Ripley, and his iconic encounter with poor little rich boy, Dickie Greenleaf green leaf, ha!

Highsmith is brilliant at inserting tiny moments of unease and offness, sometimes just a word in an unexpected place, and in contrasting her scenes: the dim, smoky bar where Ripley meets Greenleaf seni So cool, so dark, this is one of those books that can be rushed through for the surface story of the suave psychopath, Tom Ripley, and his iconic encounter with poor little rich boy, Dickie Greenleaf green leaf, ha!

Highsmith is brilliant at inserting tiny moments of unease and offness, sometimes just a word in an unexpected place, and in contrasting her scenes: the dim, smoky bar where Ripley meets Greenleaf senior giving rise to the bright sunshine of Italy where the shadiest things happen.

She also makes fine uses of literary tropes: the eroticised triangle though where do Ripley's real interests lie? So much is beneath the surface and we're on tenterhooks for what might float up into view.

A masterclass in tension, in refusing to overwrite, in holding back the physical violence so that when it erupts it's sickening, in unnerving the reader as much through exposing our fictional alliances as in the story itself.

I've read so many tame imitations of Highsmith's Ripley plot - this original is more dynamic and downright nail-biting than all of them put together!

Apr 26, Algernon Darth Anyan rated it liked it Shelves: Shall I go on? What Mr. Ripley leaves out from his resume is his readiness to murder anybody he sees as an obstacle in his path to personal happiness.

He wants all the perks of wealth and leisure, but he wants them right now, while he is still young. Even worse, he feels entitled to a life of riches and the respect of the gentle folks, probably out of his exalted opinion of his own cleverness and out of a feeling discriminated against in childhood by an authorian aunt.

Everything Tom Ripley ever wanted seems within his grasp when he somehow ingratiates himself with Mr.

Greenleaf, an older New York industrialist, from whom he extracts money for a trip to Italy, there to convince his son Dickie to return home.

Dickie has given up his place in the family business in order to pursue a painting career in Mongibello, a small seaside town near Napoli.

And money besides, to take trips if he wanted to. Tom envied him with a heartbreaking surge of envy and self-pity. The novel is more an exploration of the character of a sociopath than a conventional whodunit.

I guess my reaction is normal, exactly what the writer wanted from the audience. I should have been more worried if I actually felt sorry for Tom.

And, for those who love Italy like me, the book is quite accomplished as a tourist guide, praising the attractions of Venice, San Remo, Rome, Napoli, Capri, Cinqueterre, etc.

He liked the fact that Venice had no cars. It made the city human. The streets were like veins, he thought, and the people the blood, circulating everywhere.

If you wanted to be cheerful, or melancholic, or wistful, or thoughtful, or courteous, you simply had to act those things with every gesture.

He could look like a country gentleman, a thug, an Englishman, a Frenchman, or a plain American eccentric, depending on how he wore it.

Tom amused himself with it in front of the mirror. Risks are what made the whole thing fun exclaims Tom at one point, ignoring previous moments of nail-biting terror and panic and promising more dirty deeds for the follow-up novels.

I could spend more time on Tom, trying to decypher the puzzle of his sexuality and what influence it had on his pathological need to hide and to playact instead of being himself.

Or on his fear of women and denial of homosexual attraction towards Dickie. On his obsessing over clothes and fascination with mirrors, with fine art and haute cuisine.

Indeed, I could see the novel as a subject of study in medical schools, students being graded over how many symptoms of mental illness they can identify.

But new titles are already claiming my attention. I probably will read the next Ripley books, but before that I might try other Patricia Highsmith titles Strangers on a Train beckons me at the moment , hoping to have a less repulsive reaction towards the main character.

Jun 07, Glenn Sumi rated it it was amazing Shelves: classics , I don't know how Patricia Highsmith did it. But she got me to root for a psychopathic murderer.

Tom Ripley is a smart, nondescript young man in his 20s barely scraping by in s Manhattan. When the wealthy father of an acquaintance offers to pay him to go to Italy to convince his aspiring artist son to return to America, Tom can't believe his luck.

An all expenses paid trip to Europe? To hang out on beaches, drink cocktails and visit galleries? Alas, things don't go as planned.

The son, Ri I don't know how Patricia Highsmith did it. The son, Richard or Dickie Greenleaf, is happy with his life painting in a sun-drenched village on the Amalfi coast.

He's also got a sort of relationship with another ex-pat, Marge Sherwood, and is perfectly content where he is. Soon Tom becomes obsessed with Dickie.

He wants his life — the leisure, the trust fund, the nice clothes. Perhaps he even wants Dickie himself. So some bad things happen. Tom — who's got a gift for impersonation and improvisation — covers them up.

But one lie begets another, and another. Soon other bad things happen. And then people start investigating: Marge, Italian police officers, Dickie's father, an American detective Can the resourceful Tom not only cover his tracks but stay a step ahead of everyone?

The film introduced another major character not in the book. Also, this is the first of five Ripley books, so you know he survives to go on to other adventures.

But Highsmith is such a good writer that she keeps you constantly on edge. She also fills in Tom's backstory so you sympathize with him.

His parents died when he was young, and he was raised by a cold, judgemental aunt. He was never the popular kid, always an outsider.

Doesn't he deserve some happiness? True friendship? Who among us hasn't envied — and perhaps resented — the beautiful and privileged one-percent?

What's fascinating to a contemporary reader is how submerged Tom's same-sex desires are. I'm not sure what a typical s reader would have thought, but it's pretty clear that he's in love with Dickie; Highsmith, who wrote the ahead-of-its-time classic lesbian novel Carol under a pen name, depicts both men's private lives in a suggestive, tantalizing way that was probably clear in its implications to queer readers at the time.

It's also amusing to think how a modern-day Tom Ripley would flourish in the digital world. Imagine what he could discover about people through Instagram and Google.

Repressed desires; elegant clothes; lavish European settings including Rome, the Cote d'Azur, Naples and Venice ; shakers full of martinis; plus a murder or two and a generous helping of guilt — what's not to love?

A classic novel that shouldn't be relegated to genre fiction. View all 8 comments. This book got under my skin.

The narrator, Tom Ripley, is a sociopath who is one troubled and sinister character. Upon accepting his proposal, the tale of obsession and deception begins as Tom Ripley weaves his life into a tangled web, and what he manages to pull off is appalling.

This story requires a tolerance for unlikable characters, as Tom is a violent, manipulating, pathological liar This book got under my skin.

This story requires a tolerance for unlikable characters, as Tom is a violent, manipulating, pathological liar who is lacking self esteem.

Since the book is from his perspective it was disturbing reading his calculated thoughts he expressed. As despicable as this character was I almost feel guilty saying I liked the book, but I was definitely not rooting for him.

How can Highsmith write about such a character, a murderer that you somehow end up rooting for him! Very clever. Written over 50 years ago, Patricia created a unique character whose character arc is the opposite of what is traditional.

Tom Ripley, a floundering type evolves in ways unimaginable while the story builds momentum. We are immersed into the mind of a schemer who becomes darker with each step.

A true classic, Highsmith is masterful, her characters interesting and plot twists well executed. I plan to read the two sequels as a result.

The film that stars Matt Damon follows the book closely, somethi Written over 50 years ago, Patricia created a unique character whose character arc is the opposite of what is traditional.

The film that stars Matt Damon follows the book closely, something rare with adaptations! View all 5 comments. This one didn't work for me at all.

For one, I think this is the first time I will ever say the following words. The movie adaptation is far more powerful than the book. Matt Damon was likable as Ripley.

The Ripley in this book was fucking boring. Also, there's a character in the movie that is not in the book, and I think he made all the difference, even if he wasn't the center of attention.

His character made for a much more interesting and emotional ending. Luckily, I read this after having se This one didn't work for me at all.

Luckily, I read this after having seen the film over a decade ago, because had I read the book first I'd have no desire to watch the film, and that would have been a sad thing.

Another problem I had with The Talented Mr. Ripley has nothing to do with this book. I rate my read based on experience.

It is glaringly obvious that Dexter was modeled after Highsmith's formula, which makes me what to go back and drop my ratings of each Dexter novel.

I dislike coincidence as a plot device. Let me clarify: I do not mind coincidence in books. It is a part of real life.

But when your entire plot balances on coincidence getting away with crime after crime because of some fortuitous circumstance , my give-a-fuck drowns like a passenger on the Titanic.

That is me. That is my subjective opinion. I'll be reading everything on that list. In summation: Patricia Highsmith died in , so I'm sure she won't take offense to me disliking her creation.

She was a great writer, but this one wasn't for me. Final Judgment: Suck my Dickie. What a creepy little book.

Highsmith takes us into the head of Tom Ripley, and it is an unsettling ride. Tom is a sociopath or is he? And inside his head, we are carried along as his crimes mount, one upon the other, and feel the tension as he skirts the edge of disaster and discovery.

Are we tense because we want him to be captured? Or because we want him to get away with it? Note: The rest of this review has been withdrawn due to the changes in Goodreads policy and enforc What a creepy little book.

Note: The rest of this review has been withdrawn due to the changes in Goodreads policy and enforcement. You can read why I came to this decision here.

In the meantime, you can read the entire review at Smorgasbook He loved possessions, not masses of them, but a select few that he did not part with.

They gave a man self-respect. Not ostentation but quality, and the love that cherished the quality. Possessions reminded him that he existed, and made him enjoy his existence.

It was as simple as that. And wasn't that worth something? He existed. Not many people in the world knew how to, even if they had the money.

It really didn't take money, masses of money, it took a certain security. The Talented Mr Ripley w He loved possessions, not masses of them, but a select few that he did not part with.

Since then, I have read a few other books by Highsmith and about her, too. I am still in awe of her writing with every new book I pick up, but The Talented Mr Ripley remains special to me.

Tom Ripley is a deeply disturbed character, who is described first in the book as a sort of failure at life. He's barely able to support himself, he's sponging off friends, he has no motivation to anything, and yet he sees himself as superior to his fellow man and enjoys manipulating people.

Yet, he is also very afraid of being found out. Not just being found out of various crimes and misdemeanors, but also of being found out to be a failure, a nothing, nobody.

Because Tom's greatest issue is that he has no personality whatsoever. That makes him as forgettable as it makes him desperate to be recognised.

He was thinking that he had to identify himself, immediately. It would look worse for him, whatever happened, the longer he put it off.

When he left the cathedral he inquired of a policeman where the nearest police station was. He asked it sadly. He felt sad. He was not afraid, but he felt that identifying himself as Thomas Phelps Ripley was going to be one of the saddest things he had ever done in his life.

Now I am not going to try and analyse Tom. I couldn't. It is just that Tom's self-hatred and feelings of unacknowledged superiority set him up to take on any means of escape from his own life that present themselves, and this is where the gripping plot to this book starts off.

We get to follow Tom on a mission, which he is bound to fail because the whole idea is ludicrous from the start.

It does give Tom a new scene, tho, in which he can try and become something, become someone. I will not give much of the plot away but suffice it to say, there is murder involved, there is a police hunt across Italy, and there are various close encounters between Tom and other characters where I was just on the edge of my seat to find out how it would resolve.

Would he get away? I must have spent half my time reading about Tom hoping he would be found out, and the other half hoping that he wouldn't - simply because it was such a thrill to read about this despicable, delusional, pathetic character that is Tom Ripley.

Re-reading the book after so many years, I knew where the story was going, but was still thrilled by the details that I had forgotten since reading this in the s - details which the film got wrong, by the way.

Re-reading this also brought out many details about Highsmith's writing that I am not sure I appreciated on the first read: Highsmith toyed with Tom.

She absolutely works him like a puppet in this story, and you can see that she derives a twisted kind of fun from doing this.

At times when Tom wallows in self-pity, Highsmith makes us laugh at him. It gave Tom a sick, empty feeling at the pit of his stomach to think that in less than a week he would have water below him, miles deep, and that undoubtedly he would have to look at it most of the time, because people on ocean liners spent most of their time on deck.

And it was particularly un-chic to be seasick, he felt. He had never been seasick, but he came very near it several times in those last days, simply thinking about the voyage to Cherbourg.

She daubed at the crocheted tablecloth awkwardly with her napkin. Tom came running back from the kitchen with a wet cloth.

It wasn't the tablecloth he cared about, it was the beautiful table. Tom hated her. He suddenly remembered her bra hanging over the windowsill in Mongibello.

Her underwear would be draped over his chairs tonight, if he invited her to stay here. The idea repelled him. He deliberately hurled a smile across the table at her.

Not mine," he added, laughing, "but I've got two rooms upstairs and you're welcome to one of them. All right, I will.

Highsmith had a wicked sense humor, and I do mean "wicked" in the sense of dry, dark and very twisted. This comes to full show in Ripley and, on this second read, I could not help but wonder what other nuances of Highsmith's personality may have made their way into the book, too.

I am assuming that Tom's closetedness may also have been drawn from the author's own experiences, and that the overwhelming amount of alcohol that is described in the book may, sadly, have been another.

I have no doubt that I will refer back to Ripley - whether as a result of reading more of Highsmith's work or whether as a comparison to other thrillers I may come across.

In the weirdest of ways, The Talented Mr Ripley has been such a fun book. Oh Tom Ripley I clipped through the last pages at work tonite, hungry to know!

I found myself irked at customers who disturbed my reading, mid-paragraph inconsiderate indecisive patronizing people! No, I don't know what white roses "means"- p Oh Tom Ripley No, I don't know what white roses "means"- pick a damn meaning and be gone!

But I felt edgy at work. Like the day I first tried caffeine, twitchy. Tom Reeeepley's mind is contagious I tell you.

I still feel guilty- though i don't have anything to feel shame or guilt for! I am a New Englander, so, to a degree, feeling bad about all I am not doing all I could be etc is normal, but this?

This Ripley-brain is far more intense, much more visceral. It makes my former Puritan guilt think look like moss beneath a flowering tree on the first day of spring.

On a sidenote, the afternoon I bought the book at Powells, one of my rare excursions into the Gold Room I shared the Mystery 'H' aisle with a sophisticated old woman, peach hair, nice slacks, matching shoes and sweater- very nice jacket.

Maybe it's because I'll be in Florida for a week soon, and I associate that state with old folks mostly , that I couldn't help but dream, lust even, after a Patricia Highsmith mystery club with me and a handful of old ladies with peach and purple hairs and nice slacks and wide brimmed hats At least mine don't involve murder and European identity swaps.

Or do they?! Jan 20, Nancy Oakes rated it it was amazing Shelves: crime-fiction , , crime-fiction-america. Spoilers are noted where needed.

Tom Ripley is an extremely disturbed man. Knowing what we know about him, we probably wouldn't want him to come to dinner, live in our neighborhood, date our daughters or our sons, handle our investments -- in short, after we've gotten to know him, we discover he is someone we would avoid like the plague.

A biopic depicting the early years of legendary Director and aviator Howard Hughes ' career from the late s to the mid s.

When a sports agent has a moral epiphany and is fired for expressing it, he decides to put his new philosophy to the test as an independent agent with the only athlete who stays with him and his former colleague.

An epic mosaic of interrelated characters in search of love, forgiveness, and meaning in the San Fernando Valley. A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict.

Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.

Jason Bourne dodges a ruthless C. The s. Manhattan lavatory attendant, Tom Ripley, borrows a Princeton jacket to play piano at a garden party.

Besides lying, Tom's talents include impressions and forgery, so when the handsome and confident Dickie tires of Tom, dismissing him as a bore, Tom goes to extreme lengths to make Greenleaf's privileges his own.

I'll admit that I rented "The Talented Mr. Ripley" without the slightest clue about what the story entailed.

However, this caused no problem as I soon became involved in the twisted and rather bizarre plot; I was immediately interested in the movie as it was unique and unusual right from the start.

Matt Damon portrays the mysterious Mr. Ripley, who, more or less, remains a mystery throughout the film. I was intrigued at how, when you first see him on screen, you are given the impression that he is nothing more than a shy, innocent, and intellectual young man who pretty much keeps to himself.

However, this image is only visable for the first five minutes or so, and is virtually shattered once he accepts the offer to go to Italy in search of Mr.

Greenleaf's son, Dickie. I was fascinated at how rapidly his personality altered, and suddenly I understood that he was rather odd, as he deceived Mr.

Greenleaf in the first place by wearing a Princeton jacket and pretending that he knew Dickie. Now, I haven't explained this entirely, as those of you who have seen this film know, as I am not writing this to create a summary of the plot, but rather to give my comments.

Basically, Mr. Greenleaf saw Ripley playing the piano at a wedding wearing a Princeton jacket, and since his son also went to Princeton, he asks Ripley if, by any chance, he knew Dickie.

Of course, since Ripley never went to Princeton in the first place, he couldn't possibly have known Dickie. Despite this fact, however, Ripley says that he did know him, and that they were friends.

As soon as he says this, he manages to get himself in a deep hole of trouble as Mr. Greenleaf asks him to go to Italy to try and retrieve his son, as he couldn't do it himself due to that fact that Dickie wouldn't listen to his father following a serries of arguments.

I was on the edge of my seat throughout most of the film, and I felt that all the characters were believable in their own ways. I believe this to be a splendidly clever story, which is well written and directed.

I thought that the music playing during most of the film was excellent as it matched the strange, eerie atmosphere of the story beautifully.

I would like to conclude this review by saying that this is a very good movie with an unusually unpredictable ending; it's nice to see a movie that doesn't finish perfectly for a change.

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2 Comments

  1. Dozuru Tojataur

    Welche gute Phrase

  2. Kill Dushakar

    Ich weiГџ, wie man handeln muss...

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