Honeymoon (2014) Filme wie Honeymoon
Paul und Bea sind frisch verheiratet. In ihren Flitterwochen reisen sie zu einem abgeschiedenen See, wo sie ein paar romantische Tage zu zweit erwarten sollen, in denen sie den Stress der Hochzeit hinter sich lassen. Kurz nach ihrer Ankunft. HONEYMOON Story Von der Stadt hinaus aufs Land: Das junge New Yorker Paar Bea (Rose Leslie) und Paul (Harry Treadaway) verbringen. Honeymoon ein Film von Leigh Janiak mit Rose Leslie, Harry Treadaway. Inhaltsangabe: Um die ersten Tage ihrer Ehe ungestört und in intimer Zweisamkeit. Doch nachdem Paul Bea eines Nachts beim Schlafwandeln im Wald findet, beginnt sich diese langsam aber sicher zu verändern. honeymoon. Honeymoon ist ein Horrorfilm aus dem Jahr von Leigh Janiak mit Rose Leslie, Harry Treadaway und Hanna Brown. Im Horrorthriller.
Honeymoon ein Film von Leigh Janiak mit Rose Leslie, Harry Treadaway. Inhaltsangabe: Um die ersten Tage ihrer Ehe ungestört und in intimer Zweisamkeit. Doch nachdem Paul Bea eines Nachts beim Schlafwandeln im Wald findet, beginnt sich diese langsam aber sicher zu verändern. honeymoon. Flitterwochen ( Film) - Honeymoon ( film). Aus Wikipedia, der freien Enzyklopädie. Flitterwochen. While I thought the acting was top notch, the same can't be said for the movie. From metacritic. Paul tries to escape, but she throws him what Watch Atlanta Online think. Atmosphere is front and center from the start. I am happy to say that I found that review to be as far away from the truth as possible. Favorite Horror Movies. Https://robinhoodexpress.co/stream-filme-downloaden/mr-minit.php before this I watch the more info film click The Equalizer Hdfilme I criticized for showing too much and leaving nothing to the imagination. She was kind enough to spend a few more days on our soil https://robinhoodexpress.co/serien-stream/der-krieger-und-die-kaiserin.php her partner before shuffling off in a spaceship.
Honeymoon (2014) - StatistikenThe Green Inferno. Home Filme Honeymoon. Sie sah dann einige Silhouetten, die offenbar sie mit der Kreatur imprägniert.
The two leads are excellent and have great chemistry throughout, so when the weird things start happening, you believe the husband's growing concern and the wife's pleads of innocence.
And the pacing is spot on. Atmosphere is front and center from the start. The mystery itself is unraveled at a good pace as well, leaving breadcrumbs for the audience and throwing a few twists and turns along the way.
It's nothing revolutionary. The One I Love did a better job with this premise, but that doesn't mean Honeymoon isn't worth checking out.
If you're in the mood for an engaging edge-of-your-seat thriller, you're looking in the right place. Was this review helpful?
Sign in to vote. Red-Barracuda 29 June For their honeymoon, a newly-wed couple Paul and Bea travel to the bride's former home, a rural, sparsely populated community in Canada.
A strange encounter with an old acquaintance follows a sleepwalking incident involving Bea and from hereon in it becomes clear that something is terribly wrong.
This indie flick has a very small cast that relies largely on the acting of its two central characters, a couple of Brits called Rose Leslie and Harry Treadway whose American accents are pretty flawless it has to be said.
Both put in very strong performances in roles that require a fair bit of range. The characters evolve from so-happy-we'll-make-you-sick just married, through to relationship distrust and eventually onto outright psychological horror.
The actors are good enough to convince in all these very differing levels of emotion. Because the story has so few characters, such a remote setting and such intense emotions, it's a film that is somewhat claustrophobic in its effect.
It underplays the horror side of things and slowly builds thing up layer by layer. But we are never in any doubt that there is something very strange going on and there are small unusual clues punctuated along the way, such as strange sexual-looking marks on Bea's body, a recurring gooey substance found alongside her discarded night-dress and her strange distant behaviour.
To reveal any more would be unfair, so I will leave it at that but suffice to say that this is a very good, mysterious genre piece well directed by Leigh Janiak.
Honeymoon can immediately be assumed as a scary movie, easily because it involves some paranormal situation, but the heart of the story is studying how long would the main couple hold together no matter what.
How the characters flesh out their relationship and the sudden trouble of their connection instantly triumphs the whole film, until it still attempts to do something more crazy in the end for the sake of the genre.
It sadly doesn't live up to what it has set up and rather turn things underwhelming, but Honeymoon is still a pretty clever psychological thriller that is a lot interesting to watch than your average horror film.
This is basically an ultimate test of a seemingly perfect marriage. The beginning already shows that nothing can keep the two apart, and it's even more clear to how strong their connection is to each other.
Once it moves to the mystery, their sweet romance fades, but still doesn't abandon its core. In spite of having a possible traumatic or paranormal involvement to the new behavior of Bea, it still centers to how their relationship goes.
The real horror of the film is basically having the fear of losing the loved one and suspecting the worst things to come. It is done terrifically as a slow burn, but what reveals in the end, though can be acceptable, won't be the kind of answer that people would be blown away or terrified at.
But the best of the movie is how it smartly defines this couple, even when things get stranger. Horror films today rarely finds good performances, but this movie pleasantly has two great leads.
Rose Leslie and Harry Treadaway convincingly shows the couple's affections. Leslie does an excellent job shifting the traits of her character, without taking the weirdness too far.
While Treadaway naturally manifests his character's confusion towards the situation. The direction is slick, guided by a decent pacing.
The camera-work captures a lot of beautiful shots. Though, horror movies tend to make things look ugly for the sake of being creepy, this movie does have one gross scene that you might not forget in a long time, but most of the experience looks pretty, as an illusion from the terror behind.
Honeymoon still has an underwhelming revelation that fails to be scary or anything beyond that, but the film is better when the horror is much grounded, creating an intriguing symbolism within the mystery.
It never really matters where the threat comes from, the film just challenges this newlyweds and there it's already fascinating, by building a much serious conflict.
This is the quality that can only be seen in indie horror. It leaves out the conventional tricks and tries to make tension out of its own.
But even without trying to be scary, it still offers a good story. I'm actually surprised this film doesn't have a higher rating.
Right before this I watch the horror film "Mama," which I criticized for showing too much and leaving nothing to the imagination.
Refreshingly, this movie does the opposite, and shows very little, which really makes the movie better. It is common for low-budget movies to have to be creative and not show things they want to show, but this is usually a blessing in disguise.
The two young actors are great and they have a good chemistry. They seem so perfect for each other, so it becomes that much more suspenseful as things start to go wrong.
The movie has a fairly simple plot, and never really explains exactly what is going on. From an early point in the film, I got an idea that we were dealing with a sci-fi, otherworldly evil and there is never really any twist or surprise that reveals anything different.
The reason that the movie still works, is the couple is likable and we really feel the husbands frustration and feel sorry for him.
I read another review complaining about the ending, and I can see where they are coming from, but to me the ending was fine.
I'm actually glad they didn't try to reveal too much or explain everything perfectly. The main let down is that it is very predictable.
It basically confirmed my suspicions all along. Overall, it was a fun and suspenseful movie that kept me engaged until the end.
There is not a lot of depth or substance to keep me thinking about it, but I can definitely still recommend it. If you can't sit through a relatively slow-paced movie without losing interest and wanting to play Angry Birds, this might not be the film for you.
If however you do have an adult attention span and aren't afraid to engage it, this film will reward your patience many times over.
Utilising a vanishingly small cast remarkably well, the film relies on the believability of the dialogue and the fine acting of the two main characters to draw you ever closer into their seemingly idyllic world.
I won't go into any specific detail, but it is a technique that pays off as things become more and more unsettling and a real sense of wrongness begins to pervade what was supposed to be a perfect romantic getaway in the woods.
The film successfully ratchets up the tension over the runtime of 87 minutes, and despite a pretty slow start, delivers a lot by the time of the final credits, leaving you feeling genuinely creeped-out and not entirely sure of what you just witnessed.
Honeymoon is that rare beast, a genuinely well-crafted horror movie. The dialogue is genuinely solid, the acting is good, but it's the perfect pacing that really makes this a must-see for any avid horror fans.
I went to the theater to attend a reading of George R. Martin which was great , and this movie started just shortly afterward.
I was surprised and pleased to see that the leading actress was one of the actresses of Game of Thrones, where she played Ygritte the wildling.
In Honeymoon she could show a more mellow side. I am not quite sure why I liked this film so much. It is rather slow, normally I get bored easily.
One point was probably the realism of the thing before the horror starts I mean. This thanks to the excellent acting and good dialogue.
And also the good use of the surroundings. Another point is that the story line is more or less original and does not follow one of the numerous stereotypes in horror film making.
Its horror is more psychological, gorehounds will probably be bored. The negative: Making a good ending for a movie is one of the hardest things.
And I must say, that I did not find it all too satisfying in this case. But apart from that I would really recommend this movie.
HorrorOverEverything 13 September I am an avid horror fan, it is by far my favorite genre. I like all kinds of horror and don't mind slow paced films at all.
However "Honeymoon" was a pretty big letdown. The story starts out fairly generic, a couple goes to a cabin in the woods.
It quickly turns into something else entirely, and that "something" else really isn't that great.
The parts that were obviously suppose to be tense and creepy just didn't do it for me, and the story didn't have much to offer so I just found myself wanting to know what was going on so I could just be done with it.
The acting is by far this movies strong point. The small cast does an excellent job, even though the script is fairly poor. I feel like as horror fans we are so desperate for new horror we often grasp onto not so good films and try to convince ourselves that they are great.
People are praising "Honeymoon" but I'm not entirely sure why, it really just isn't a good movie. As praised in many of the other reviews the acting was indeed quite good and largely believable if not a bit too effusive in some of the overwritten newlywed dialog interactions.
That the film failed to generate horror of any kind is my sole problem with it. Themes such as a person you love suddenly becoming someone else can evoke psychological terror and qualify for the genre, however, here the pending horror reveal is disguised as romantic suspense until a moment too late for the viewer to reap thrills and chills.
Science fiction horror is a favorite genre of mine, but 'Honeymoon' skips science of any kind and trades horror for a moment of gooey biological shock left open to far too many interpretations.
Lack of foreshadowing also contributes to my rating. Newlyweds not ready to discuss having children, Killing frogs, an old boyfriend acting strangely to his wife who appears a victim of domestic abuse, fear of deep water, hiding messages inside a hollow effigy--all possible clues in deciphering the plot, or so this viewer had presumed.
But none of the above sensibly related to the reveal. In a seemingly innocent but presumably deceptively clever line of dialog one character asks another if he has ever killed anything with his bare hands.
Apparently, no. Much like the often discussed but never caught fish in the lake, the writer failed to stock this plot with sensible clues to the reveal.
Well, I usually try to maintain at least the minimal level of objectivity in my reviews, but in this case I find myself unable to do so.
The first review that loaded when I opened this film's page complained about the "cliched", "nauseating" and "painful" acting and portray of romance.
I am happy to say that I found that review to be as far away from the truth as possible. Call me a hopeless romantic, but I like saying beautiful scenes of true love and romance.
The first half of The Honeymoon gives us just that - a beautiful couple who found their missing piece in each other, getting married as a celebration of their undying devotion and going away on a honeymoon.
Slightly corny? We'd wish, not nowadays I personally found it to be touching, moving and eye-watering. May we all know such love in our lives.
Then there's the acting, which I found to be not half bad! I think the entire cast of four has done an excellent job. Rose Leslie is great as the loving new wife going through something supernatural she doesn't yet comprehend.
Harry Treadaway is a profound loving husband having to deal with the sudden terrifying change in his newlywed wife.
Lastly but not least, Ben Huber and Hanna Brown, with the few minutes of camera time they have received, have done exactly what they were supposed to do and exactly the way they were supposed to do it, right on the spot!
As for the script - I'm not sure I'm really happy with the story and supposed twist. I didn't feel like the outcome justified the build- up which was excellent , and I can't help but rule that this film suffers from the bane of the Horror genre - an anticlimactic ending.
Having an at least 8. All in all, you could find Horror films that are more frightening and horrific, and simply better. But I doubt you would find one more romantic, and we may have just witnessed the birth of the Romantic Horror sub-genre.
Regardless, I thing the film is definitely worth watching, especially for couples who enjoy Horror and don't expect every film to be a phenomenon.
Let us also not forget that this a single location low budget film, that still succeeds in being fun and not that bad!
I say, as always, watch it and judge for yourselves. Honeymoon is a gem of an indie horror movie in which a young couple's idyllic honeymoon getaway at a lakeside cottage slowly turns into a strange and horrifying nightmare.
Rose Leslie, star of Game Of Thrones, is excellent eventually - as in the brilliant British TV series Utopia in which she featured, her performance is over the top at first, almost drama school, but as the weird and disturbing story ramps up she fully inhabits the role.
Treadaway, a tremendous young British actor, is fantastic from start to end, as he comes to realise the near-extreme horror scenario they're in.
Music is superb, the atmosphere from the moment they reach the cabin is brilliant - all in all, a tremendous surprise, great performances and a first-time director with a distinctive voice and real vision.
Horror fans, seek this film out. A twenty something couple from New York City have just married and travel to a lakeside house for a honeymoon getaway and strange lights appear through the windows and wifey wanders into the woods and her personality changes radically upon return to the love nest; no more sex dear, I have a headache and these nasty scars on my inner thighs.
Unfortunately, the acting is not great, and the script poorly written. I was not scared at any point and the constant piano and violin music annoyed the hell out of me.
This is mostly a two actor movie, and nether of them is all that compelling to watch. Totally surprising.
Finally, there's been some good horror films this year but none all that great, and I finally found it that is, if I don't count Under The Skin as horror.
The pacing in this is really excellent, and it follows the old-school rule of what it doesn't show us is scarier. This is in part due to the script and the really elegant and observant direction, but also because of the two fantastic lead performances.
Rose Leslie certainly made her mark in Game of Thrones, and she's one to watch out for in the future.
She's incredibly effective here, as is Harry Treadaway. Their chemistry is strong and it's about time we get some great acting in a horror film.
This is truly well-acted and engrossing horror, not to mention actually scary. Might just be one of my favorite films the year so far.
Do not judge this film on its first 15 minutes. Let it simmer. Excellently crafted thriller-turned-horror.
This film doesn't simply "keep you guessing," it compels your interest in the answers. The seemingly superfluous dialogue e. In this case, very believable and tangible marital issues and concerns are addressed by director Leigh Janiak and her co-writer Phil Graziadei.
One of the very important reasons why 'Honeymoon' works is because of the way Janiak takes her time to set up and convey the sweet and tender love between Bea and Paul.
She uses a beautiful opening credits sequence of Bea and Paul giving talking head style interviews for their wedding video interspersed with shots of the road during their drive to the honeymoon spot symbolising the journey they have made together in life.
There is an extended unbroken long take inside the cottage where Bea introduces the different rooms to Paul and it's a beautiful and sweet sequence again underlying the sweet nature of their relationship.
It's only because we believe the love between them, that we feel uneasy when things start falling apart. There is a connection between 'Honeymoon' and Polanski's 'Repulsion' in the way that both Bea and Paul start becoming more and more paranoid upon realising that they might not be completely ready for every concern and expectation that comes along with marital life which is similar to Carole's paranoia in 'Repulsion' which was borne out of her inability to cope with adulthood, sexuality and the male gaze because she was still a young child at heart and the mental disintegration takes place in somewhat of a similar fashion in both these films.
Young newlyweds Paul and Bea travel to remote lake country for their honeymoon. Shortly after arriving, Paul finds Bea wandering and disoriented in the middle of the night.
As she becomes more distant and her behavior increasingly peculiar, Paul begins to suspect something more sinister than sleepwalking took place in the woods.
Written by Official. While I thought the acting was top notch, the same can't be said for the movie. Before seeing this movie I had watched the trailer and had great expectations after seeing the movie I was highly disappointed.
I found it very slow paced and not scary or terrifying in the slightest! I actually found it boring in some places, didn't seem to me all that much going on really.
There are a few disturbing bits but all in all would not recommend for a horror fan. The strongest point in this movie in my view was the acting, not sure why so many people have praised the movie and said it was scary etc maybe I'm just not that hard to scare anymore..
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Alternate Versions. Rate This. A newlywed couple finds their lake-country honeymoon descend into chaos after Paul finds Bea wandering and disoriented in the middle of the night.
Director: Leigh Janiak. Writers: Phil Graziadei , Leigh Janiak. Added to Watchlist. From metacritic.
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Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Credited cast: Rose Leslie Bea Harry Treadaway Paul Ben Huber Will Hanna Brown Annie Rest of cast listed alphabetically: Bob Harrison Dark Figures John Lauterbach Dark Figures Peter Leo Learn more More Like This.
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